Oceans Apart- Seamless blend but feels like it could of gone further. The Final Cut but used for Love and guidance, instead of misery and suicidal.
Wait For Her- First interpretation of poetry on a Floyd solo album since Barrett's "Golden Hair". Maybe it's too late in the tracklist? It's got more of a stomp than the title track of Gilmour's RTL. The biggest Rock of the album and would be a highlight for decades for any other band. Sounds like it got it's fingers dirty writing it. Smell The Roses- Shine On You Crazy Diamond later parts smashed into Watching T.V., but without the passiveness of watching. The Most Beautiful Girl- Washed over at first, but now see it as a great bit of foreshadowing for the end of the album. Speak To Me thrown through Don't Leave Me Now if Mason had a rocket up his arse when he used to drum for Roger! 5 5.īird In A Gale- The most experimental the album gets and it works. Love how he goes all cockney near the end. Is This The Life We Really Want?- The third best song on the album. That said, the song taking me the longest to win me over! 2 Great lyrics apart from "No fucking brains!" 4īroken Bones- Do you think Roger got pissed off with movies and TV shows using half of the wolf sound in their shows? I love how he steps away from his late 60's psychedelia to the present. Picture That- Like The Wall covering Lucy In The Sky With Diamonds, but the other Beatles were too terrified on a bad trip to play their instruments. Even tops Fletcher Memorial Home for bringing unnamed people from today with their i-Phones. The Last Refugee- This is the best thing Roger has done solo.
LYRICS BIRD IN A GALE UPDATE
2.ĭéjà Vu- Although it's the biggest Floyd sound smash and grab, the update from the drone backs Roger singing as an early highlight. When We Were Young- Although as experimental as anything from Music For The Body, this is a weak start compared to the Roger Waters songs that opened PF albums.
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